‘Everything is Connected’ SS14
New Vivienne Westwood Gold Label collection, new shopping list for me! Eagle eyes aside, our Viv had an important message for the collection:
‘I am going to call the show “Everything is connected” because that is the main message of the Climate Revolution and it means that everything each one of us thinks or says or does can make a difference.
Shakespeare saw the disaster we were heading for. In the quotation below it’s useful to know that glass means mirror, the picture it gives us is of man holding up his own image to challenge God.
But man, proud man,
Drest in a little brief authority-
Most ignorant of what he is most assur’d.
His glassy essence- like an angry ape,
Plays such fantastic tricks before high heaven
As make the angels weep.
Now that our World is at the chaos point I want to know more about the order of the medieval community. My interest in these people deepens. A couple of years ago I went with Andreas to Canterbury. There was a service in the cathedral and we weren’t allowed in to the splendor of the nave and alter. I’m so glad because instead we gained another experience; we explored the cloisters and vaults within the environs of the building and I felt all along that I was wandering in the presence of ordinary people who lived in a different world to mine and I thought of the specialists- the alchemists of those days who aspired to become more spirit than flesh because they believed in a divine order of things.
Our medieval pilgrims on their journey must be austere, serious and festive each wearing her most important clothes.’
The collection was an array of classics, the box jackets from SS13 were back, as were the wonderful Tudor cut corset jackets from AW13. I was overjoyed to see the blown-up lace from SS07 reinterpreted in beading and over-dyed printing, with lashings of tulle. There were corsets, capes and voluminous skirts, pieces which Westwood does best, in a light and breezy summer manner. By reminding us of collections past, Vivienne reiterated the message that everything is indeed connected.
My personal favourite looks were the tartan jacket with lime green lace skirt and the baby pink peephole skirt with hooded white cape. What I wouldn’t give for one of the oversized lace jackets, but I would be surprised to see them realised for retail – one can live in hope. The cute vintage kitten prints were a fun touch as were the floral patch work pieces. Andreas’ favourites are the gossamer knits, which had a feeling of those from SS10. I have to agree I do love a summer knit:
“P.S Dear clothes lover,
This season I would like to draw your attention especially to the knitwear. I am very fond of it, and if I were a girl, for sure it would be my absolute must have. Their fine netty yarns and burnt colours are perfect to show off your sun-kissed “super body!” When you wear them it’s just like being naked- they will be a great friend on my next holiday. Most pieces are enhanced with recycled mirrored sunglass lenses cut into special shapes and motifs. Again, I can so very much imagine the sun reflecting on them and causing quite a stir at the beach bar. I love Vivienne’s sense for yarns and what she does with them- Thanks darling.
Your Andreas x”
I’m still not enamored with the new shoe manufacturer. I very much like the pointed toe lace up boots we first saw last season in cherry red suede and again here in snow white. The rest I fear are a bit too ‘trendy’ for Westwood, the T-Bar style too similar to that Jessica Simpson / Jeffery Campbell shoe of the past few years. I rather like the gladiator sandals, I think these would be perfect for the summer and can see myself wearing them. I also think the red leopard print was a missed opportunity. Why not use the classic bright pink leopard print the brand is famous for? The fans would have gone wild for it and it would have tied in wonderfully with such a collection full of archive references.
Carrie knows the pleasures of bright pink Vivienne Westwood leo print!
(Images via Style.com / HBO)