Monthly Archives: June 2010
GFW BA Manchester Show 2010
Great reads for a Sunday afternoon
Sex, Power, and High Heels: An Interview with Shoe Curator Elizabeth Semmelhack
Collectors Weekly: How did a pair of Manolos or Louboutins become star accessories?
Semmelhack: I don’t think that it was the designers themselves who did it as much as the culture. Clearly their shoes are lovely, but over the course of the 20th century, you have a great loss of accessories in women’s wear. I like to use the hat as an example of that. If you think about watching “I Love Lucy” on TV, so often she’s walking by a hat shop and she stops to purchase a hat. Now she’s got to hide it from Ricky because God forbid he sees it. It’s the hat that she must have, the hat, the hat, the hat. Along the same lines, we had white gloves and we had pearls and we had other similar ways of expressing status.
With the loss of iconic accessories like those, shoes carry a greater burden of meaning. We now require shoes to really, as someone said, punctuate our fashionable outfit or unfashionable outfit, whatever we’re doing. They are increasingly a way of turning a generic outfit around, and I think that’s one of the reasons why shoes have become such a focal point of culture. We can read a lot into them.
But today, where fashion has been so democratized, you can have two women of wildly different socioeconomic standings or wildly different social constructs of themselves going into the same, say, Gap store and buying the exact same pair of jeans. One might wear her jeans with a pair of Manolo Blahniks, making one statement, while the other woman puts on a pair of Keds to go watch her kids play soccer, and she makes a different statement…
An Interview With Vintage Dress Collector Cherie Federau
Collectors Weekly: When did the current vintage resurgence start?
Federau: Sometime in the 1990s, celebrities started making regular appearances on the red carpet and saying that they were wearing vintage, probably in the mid- to late ’90s. With our culture being so celebrity-obsessed, and with people like über-stylist Rachel Zoe championing vintage, all of a sudden it’s everywhere. If you open up Vogue, you can almost always find at least one thing that’s vintage in every issue, whether it’s jewelry or clothes. It’s amazing. I think that women have always worn vintage, but now it’s become a cool thing that people actually talk about. It really went mainstream.
Older celebrities have an influence, too. If you watch a movie with Marilyn Monroe or Audrey Hepburn and you want to look like them, what are you going to buy in a store? You’d probably raid someone’s closet or thrift stores or your local vintage store and buy a dress from the ’50s or ’60s…
I have really been enjoying reading the interviews on Collectors Weekly, and also checking out other readers show and tells, you can view my profile and create your own. A must read for any vintage lover and collector.
How to Wear Leather Shorts
P.S Don’t forget to enter my Chanel Nouvelle Vague Giveaway
Robot Stripper Shoes & The Sales
The sales are on and I guess you are wondering why I have been keeping quite! I have, in fact purposely avoided the sales, even (make that especially) Net-a-Porter. Instead I have saved up (yeah right, replace that with sold things on ebay) for a few major purchases, which I have had my eye on. Don’t get me wrong, I am sure my bank balence will appreciate it, but gah, it is so boreng!! I love the excitement of the sales, and the firivolous purchases it brings. The heart stopping moment when you spot something AMAZING at 90% off, the last one in your size!
I love the way the lucite catches the light! In fact I loved the whole Prada S/S 10 collection, including all the shoes. I can’t get enough of the pointy toe pair either, so sleek!
P.S Don’t forget to enter my Chanel Nouvelle Vague Giveaway
Internet happenings
Vintage Judith Leiber evening clutch
There have been a fair few interesting things popping up in my inbox this week, so if you have a few minute to spare on your lunch break I suggest you check them out!
First up this interview with vintage handbag collector Abigail Rutherford for Collectors Weekly. An exceptional read, here is just a snippet:
Even as a young girl, I was interested in the historical aspect of handbags. I probably started collecting in high school when I became more aware of my own tastes. I went to a small art school for college and did a lot of studio work, even though I was an art history major. Eventually, I went to one of Leslie Hindman’s auctions and talked to her about the historical side of things versus the mass market of today’s fashion world. She took a chance and hired me as the director of vintage couture and accessories. That was more than three years ago.
Collectors Weekly: Who are the major couturiers and couture houses?
Rutherford: Historically, the biggest and best known couture houses have included Chanel, Valentino, Yves Saint Laurent, Christian Lacroix, Armani Privé, Elie Saab, Givenchy, and Christian Dior. Karl Lagerfeld has been at Chanel since the early ’80s. Valentino, who started in the 1960s, just retired, but he’s already had two new designers enter the fold. Hubert de Givenchy is no longer around and Christian Lacroix had to declare bankruptcy and was bought out.
Collectors Weekly: What other fashion houses that weren’t couture-caliber produced high-fashion purses?
Rutherford: Well, in addition to Hermès and Gucci there was Louis Vuitton. The foundation of those three companies was their leather goods. Louis Vuitton started out as a trunk company. Like Hermès, I think they did some equestrian wear, too. Gucci made trunks and so did Goyard.
Changes in modes of travel led them to switch to handbags and accessories because people no longer traveled with trunks—these companies also got into regular luggage. From there, they saw a huge area for growth. Luggage and bags are a big part of the fashion industry today, and it all started in the mid-20th century.
You can read the full interview here
Useabrand

Next up is the inovate website http://www.useabrand.com/
“Design. Upload. Vote. If you win, you will receive euro 5-for every item of your design sold by useabrand!
If your design receives the most votes, you will receive one free article of that design and €5 of each article of your winning design sold on our online or Zollergasse shops. If you get 2nd or 3rd place, don’t despair, as you will receive a gift certificate of €50 or €30, respectively. You can enter your designs every month, under either men’s or ladies’ fashions.
The procedure: grab a pencil and sketch your design ideas. It could be that perfect piece of clothing that you’ve been wanting for so long but couldn’t find in any store or it could be the next fashion trend that sweeps across the world!”
Sounds like a fun way for budding designers to get started!
Fifty Dollar
Vintage
Finally the lovely Fifity Dollar Vintage are offering my readers 15% off, unfortunately they can only ship to the US at the moment but hope to go international soon. They have some lovely pieces I am sure my US friends will love.
P.S Don’t forget to enter my Chanel Nouvelle Vague Giveaway
Thank you VERY much
(Wearing: Fearne Cotton for Very dress, tribal necklace Very, shoes Topshop Boutique, belt Vivienne Westwood, vintage jacket and cuffs gift from mum handmade in Granada)
I was delighted when Very.co.uk asked me to review some of their products, as I had heard so much about the website but never actually visited. They have a wide variety of clothes and
accessories but I wanted to try something from one of their specialist ranges. I chose this dress from the Fearne Cotton collection, and a silver and blue beaded necklace.

I also wanted to show you the website images too, as for me not being able to touch items puts me off internet shopping sometimes, as I hate the disappointment of something not being quite what you expected. Once again I only have praise, I think both items are gorgeous and at such great prices! I received so many compliments today on my dress, with everyones jaw dropping when I revealed where it was from, and the prices. I think you will agree it could quite easily pass for designer.
N.B. Very.co.uk sent me the dress and necklace free of charge, I accepted the gifts on the understanding that if I could, if I so chose, write a unbiased review which is my own, unedited, opinion.
WIN: CHANEL Nouvelle Vague Nail Varnish Giveaway
Pearl
Pondering Louis Vuitton
But advertising watchdogs have found the French design house guilty of misleading customers with two advertisements depicting its ‘craftsmen’ – because the bags are not actually made by hand.
Despite ads showing a ‘seamstress with linen thread’ and boasting of ‘infinite patience’, bags bearing the trademark pattern of an interwoven ‘L’ and ‘V’ are predominantly created by machine.
‘The seamstress with linen thread and beeswax. A needle, linen thread, beeswax and infinite patience protect each over-stitch from humidity and the passage of time.
‘One could say that a Louis Vuitton bag is a collection of details. But with so much attention lavished on every one, should we only call them details?’
‘What secret little gestures do our craftsmen discretely pass on? How do we blend innate skill and inherent prowess?
‘Or how can five tiny folds lengthen the life of a wallet? Let’s allow these mysteries to hang in the air. Time will provide the answers.’
Bosses at the fashion house admitted that sewing machines were used as they made the items ‘more secure and (were) necessary for strength, accuracy and durability’.
But ASA bosses found that Louis Vuitton were in breach of the truthfulness clause, saying it ‘considered that consumers would interpret the image of a woman using a needle and thread to stitch the handle of a bag in the ad to mean that Louis Vuitton bags were hand-stitched’.
The Mother of All Charity Shop Finds






























